CAMERA PACKAGES

Black Magic 4K Production Camera
(Firmware 3.4 - 4K and HD Lossless Compressed RAW, Pro-Res HQ 4:2:2)

Ursa Mini Pro
(Firmware 4.3.1 - 4.6K, UHD, 3K Anamorphic and 2K DCI 3:1 Compressed RAW, Pro-Res 444 XQ - 422 Proxy)
Ursa Mini Shoulder Mount Kit
  Mosaic Engineering VAF/IR Filter for Ursa Mini Pro 4K
Atoch C2S Digital Bulk Loader, CFast to SSD
Anton Bauer Cine Battery 150 V Mount
Anton Bauer Performance Quad V-Mount Battery Charger
Jason Case for Ursa Mini Pro

CAMERA PACKAGE COMING WHEN RELEASED END OF SUMMER/FALL 2017
Ursa Mini Pro SSD Recorder to record to SSD
Tilta Nucleus-M Wirelss Follow Focus
(Ordered - Coming July 2017)

TRIPODS
Manfrotto Nitrotech N8 Video Head & 546B Pro Tripod with Mid-Level Spreader
Sony VCT-14 V-Lock Quick Release Tripod Baseplate Adapter

PRODUCTION CAMERA GEAR

CAMERA ACCESSORIES GEAR
Black Magic Video Assist 5" Monitor with Sun Hood (Running firmware 2.3 with False Color Exposure Assist and 6 LUT Support)
MotionDogs Wirelss Follow Focus
Kamerar FF-3 Follow Focus
Manfrotto MVR901EPLA Lanc Control
Swing away and non-swing away Matte Boxes
Camera cage for Black Magic Cameras
Camera Rods for 7D + T2i
Bescor BM-EPIC Battery & Charger for the Blackmagic Camera
Nanuk 915 Camera Case
X-Rite Passport Color Checker

CAMERA MOUNTING AND MOVEMENT GEAR
Geared Pan and Tilt Head
Steadicam
Portable Dolly

8' Camera Jib with Monitor Support
Underslung Head for Jib

ON SET HD MONITORING
Samsung UN32J500 32" Hi Def Monitor (studio and Int. location only)

LENSES
Zeiss Milvus 35mm f/2, Zeiss Milvus 50mm f/1.4, Sigma 10mm-20mm zoom, Canon 50mm 1.8, Canon 18mm-135mm with IS

LENSES COMING SOON
Zeiss Milvus Prime Lenses - 15mm f/2.8, 18mm f/2.8, 21mm f/2.8, 85mm f/1.4, 100mm f/2, 15mm f/2.8, 18mm f/2.8, 135mm f/2
Lenspire gears for each Zeiss Milvus Lens

Zeiss 5 Milvus Lens Custom-Made Suitcase

SSD CARDS
SanDisk Extreme PRO 960GB SATA 6.0GB/s Solid State Drive - SDSSDXPS-960G-G25
SanDisk Extreme SSD 480 GB SATA 6.0 Gb/s Solid State Drive - SDSSDX-480G-G25

LIGHTING GEAR

2K and 1K Lights

LIGHTING GEAR COMING SOON
Cineo Lighting HS2 Remote Phosphor LED Light (2 Units - Coming Summer 2017)

PRODUCTION GEAR COMING SOON
SoloShot02, Quad Super Bazooka Doorway Dolly, Gigapan Epic Pro, 180 degree Curved Slider, Alpha Wheels, 7" 4K Video Assist, FlexiRig, GlideGear Dolly Dev 4, Lumu Power Light and Color Meter, GearEye Gear Management System.

PRODUCTION AUDIO GEAR
ZOOM F8 Multitrack Field Recorder
Zoom PCF-8 Protective Case for Zoom F8 Field Recorder
Tentacle Sync
Senheiser K6
ME/K6P Shotgun Mic
Rode Blimp and Windshiel

PRODUCTION AUDIO GEAR COMING SOON
Sennheiser MKH 50 P48 Microphone
Sennheiser MKH-60 P48 Short Shotgun Mic
Sanken COS-11D Miniature Omnidirectional Lavalier Mic with XLR Output (Black)
Sanken COS-11D Omnidirectional Lavalier Microphone with TA5 Connector (Black)
Zoom F-Control for F8 and F4 Multitrack Field Recorders

ON SET PROGRAMS
Red Giant Offload
Copy Cloner

APPS ON THE IPAD MINI
Movie Slate Clapper Board
Shot Lister Pro
Green Screener
Blackmagic Assistant
Kodak Cinema Tools
Cinema Forms
Celtx Shots
Celtx Reports
AJA DataCalc

FILMS I HAVE BEEN DIRECTOR OF PHOTOGRAPHY ON

I am taking on paid work only unless I am good friends with you for DP work. If you come to me to DP for your production, you must have your entire production prepped before shooting and strongly prefer you have story boards for the entire film. I will also need
extensive production meetings with you during prep to make sure all the bases are covered regarding we are shooting and lighting during production. Production schedule also must be locked down as I do have another business I need to schedule around. I prefer to
shoot 2.40:1 as I feel that is the aspect ratio that will bring your production the biggest production value to get noticed.

IRA KORTUM'S CARE PACKAGE
This is all of my light and no natural light except for exterior shots. Shot on the Canon 7D. This film is still in Post Production.

MEGAN GAMEZ'S MENSREA
Again, this is all of my light and no natural light. Shot on the Canon 7D. Though I am credited as sole Cinematographer, I shot only the footage that you see in the screen caps below. All other
footage was shot by someone else. The Color correction has been changed during the films post from the original intended look and differs from how it looks in the screen cap here.

Here is the final video

UNFINISHED FILM ABANDONED BY DIRECTOR
Again, this is all of my light and no natural light. Shot on the Canon 7D.

COPYRIGHT 1988 - PRESENT DAY DREAMERS PRODUCTIONS AND VON ISAACS PHOTOGRAPHY. ALL RIGHTS RESERVED.